Fiction Genre Definitions

Here are basic definitions for each major fiction genre.
We're now adding subgenre definitions, beginning with SF, and some examples of each type.
(Heck, writers have to eat, so how about some 'buy this book' links, too?)

Children's is defined by its own name. These books are for little kids, from toddlers on up to about ten years of age. They are usually big on pictures, and simple in word and theme. Familiar (if faraway) scenes, and gentle (or not) moral lessons, are paramount.

Children's subgenre definitions (All)

Fantasy is many things to many people. These tales contain at least one 'fantastic' element; something that it's not 'grown up' to believe is real. Usually the characters (humans, and/or elves and more) can do magical things the reader wishes they also could. Those of good character usually win through, if only in the long run.

Fantasy subgenre definitions (All)

Horror is the mood this genre seeks to invoke. From subtle anxiety to blood-splattered scenes, in these stories, something is just not right. Teamwork and virginity are often big advantages. In the end, the evil element (whether human or monstrous or paranormal) either wins, or is not decisively vanquished.

Horror subgenre definitions (All)

Mystery is what makes this genre interesting. There is a puzzle; some unsolved crime or unexplained event, and both protagonist and reader get to figure it out. In virtually all cases, they do succeed. (These tales almost never center around blue-collar type characters.)

Romance might be between a hunky sailor and a fair maiden, or a cynical vampire and a scrappy werewolf, but after a lot of sparks and trials, that is what they will secure. The settings and intensity may vary, but the overall formula is familiar indeed. (Ideally, careful research has ensured detailed accuracy.)

Romance subgenre definitions (All)

Science Fiction is as big as, nay larger than, all of time and space. The scene might be a distant galaxy, or the far future, or a plain small town. But there is something new and different; be it a handy invention, an alien visitor, or anything you can imagine -- so long as it's scientifically plausible. (Or, at least, it does not egregiously violate known science and physical laws.)

Science Fiction subgenre definitions (A - F) (G - P) (R - X)

Thrillers (also Suspense), formerly called Action (or Adventure) stories, is a genre defined by extraordinary situations that summon an emotional thrill. The time might be the past or near future, and the setting exotic or familiar. In every case the characters are swept beyond a humdrum life, by their career or some unforeseen circumstance. Perils will surge, and blows are traded, but the hero wins in the end. (Sometimes the reader suspects that the author really does have special 'inside' knowledge.)

Thriller subgenre definitions (All)

Westerns is the only major genre defined by a specific time and place. Almost all take place west of the Appalachians (then later in the period, west of the Missouri River), between about 1800 and 1890. Some reach back to pre-Columbian times, or extend to Alaska, but the rugged hero (of any gender or ethnic type) will always endure, and face down adversity.

Western subgenre definitions (All)

{The American South, both antebellum and modern, hosts many fine tales, but these have not risen to full genre status.}

Young Adult tales are written for folks from about eleven to eighteen years of age. The protagonist is always of that age, as are most of the characters. He or she can live a bizarre magical life, or a dreary suburban one. There are few limits on the 'issues' dealt with, and readers will identify with the character's inner travails as well. (Adults will enjoy the better ones.)

YA subgenre definitions (All)

{As seen on our List page, each of these has a gazillion 'sub' and 'sub-sub' genres. Science Fiction, with the widest range of possibilities, has by far the most.}

Mainstream (also Blockbuster) novels are done in big print runs, and with a large advertising budget. Often they are very long. On the cover, a famous author's name may be in bigger print than the particular story title. (Sometimes, plausibility and careful editing will take a back seat.)

Then we have 'literary,' as opposed to 'genre,' fiction. The distinction is wide and multi-faceted, and yet blurred, perhaps at the same time. It's said that one appeals with a 'quality' writing style, and the other with a common 'grabber' story. (Artistic merit versus cheap thrills?)
In the USA and Europe, this is darned near a social-class distinction!

Literary fiction emphasizes the prose itself. The author is recognized as a brilliant wordsmith, regardless of the tale's subject, no matter how mundane. Often the protagonist lives an emotionally intense (if rather unpleasant) life, based upon someone's actual experiences.

Experimental fiction deliberately goes against convention, concerning style and phrasing, etc. The aim may be to "push the envelope," if not to "shock the bourgeoisie." The number of books actually sold is supposed to be irrelevant.

Any corrections, additions, or great ideas? Suggestions are welcome. Email us at, ewriters \at\ aol /dot/ com, and please make your subject line distinct.

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